Schwartz completed the family in 2010 for Richard Turley at Bloomberg Businessweek. Schwartz’s revival was originally commissioned in 2004 by Mark Porter for the redesign of The Guardian, but not used.
#HELVETICA NEUE MEDIUM CONDENSED FREE#
So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type)." >Download helvetica neue lt std 67 medium condensed font free at, database with 478 web fonts, truetype and opentype fonts for Windows, Linux and Mac OS. "Much of the warm personality of Miedinger’s shapes was lost along the way.
And in the 1980s Neue Helvetica was produced as a rationalised, standardised version.ĭesigner Christian Schwartz later released a digital revival of Neue Haas Grotesk, marking an opportunity to set history straight. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. The typeface was soon revised and released as Helvetica by Linotype AG.Īs Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal line casters, Linotype Helvetica was in some ways a radically transformed version of the original. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The first weights of Neue Haas Grotesk were designed in the late 1950s by Max Miedinger with input from Eduard Hoffmann. It's no wonder this font is proving a hit. Super condensed designs are typically limited to a small range of styles as part of a much larger family, but Coign offers 28 styles with seven weights in four different widths – all of them super condensed. "Combining the systematic approach of Adrian Frutiger’s Univers and the eccentricities of 19th and 20th-century wood type, Coign offers a vast range of condensed styles that explore how the relationship between counter form and letterspacing can alter the expression and texture of type."
"A quoin, Coyne, coigne or, in this case, Coign, is a wedge-like device used in letterpress printing to lock type and spacing material into place within a chase or directly onto a press. "DeLittle’s type challenges conventional letterforms, pushing the notion of what is 'condensed' to the absolute limit," says the foundry. Coign by Colophon is an extensive study of condensed forms based on the DeLittle type foundry’s Elongated Sans.